HBO dominates the Emmy nominations

Premium pay channel HBO dominated the nominations Thursday for the 63rd Primetime Emmy Awards , earning a stunning 104 nods, including honors for itstwo freshman series, "Game of Thrones" and "Boardwalk Empire," as well as the acclaimed miniseries "Mildred Pierce" and the TV movies "Cinema Verite" and "Too Big to Fail," about the nation's banking crisis.

In fact, "Mildred Pierce," the period melodrama starring Kate Winslet in the role that Joan Crawford made famous in 1945, earned the most nominations, with astaggering 21 nods including best miniseries, best actress for Winslet, and best director for Todd Haynes.



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'True Blood' Season 4 premieres tonight

The fourth season of HBO's addictive vampire series"True Blood" officially debuts Sunday night, meaning loyal viewers of the cable network's most popular current program finally get to catch up with Anna Paquin's Sookie Stackhouse -- who appears to have spentsome significant time in fairyland during the hiatus. Thank goodness she knows better than to sample the seductive light fruit that seems to be all the rage among the guests of the fae.
Even with Ms. Stackhouse on an alternate plane, things in the supernaturally inclined burg of Bon Temps, La., appear to be just as charged as ever, with the emergence of a new coven of witches that is poised to rob handsome Viking Sheriff Eric Northman (Alexander Skarsgard) of his identity, maybe more, this season.
"It's a completely different side of Eric," Skarsgard told The Times in an interview last week. "He doesn't know who he is so all that baggageis gone — 1,000 years of resentment and bitterness, the whole loathing humanitykind of stuff is gone. But there has to be an element of danger there still."


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Review: HBO’s Too Big to Fail

On Monday evening, I sat down to watch “Too Big to Fail” — HBO’s adaptation of Andrew Ross Sorkin’s best selling book of the same name. Sorkin’s magnum opus does not attempt to explain why the crisis happened; but rather, detail the specifics of what happened. Day by day, bank by bank, the crisis is unveiled through the stories of various bankers, Fed and Treasury officials.



As a piece of entertainment, I strongly recommend it. It is a fantastic ensemble cast filled with terrific actors. William Hurt as Hank Paulson is simply riveting. James Woods turns Dick Fuld into a comtemptable, clueless jackass. Paul Giammatti plays Ben Bernanke with a viciously dry wit I did not know the Chairman possessed. The rest of the cast is every bit as good.



As someone who followed the crisis closely, the movie depiction of the parties involved gets the standard Hollywood over-simplification and glamorization. Its a ragtag team brought together to fight incredible odds against evil, uncontrollable forces. We should expect a mash up turning this into the Lord of the Rings any day now.



Jesse Eisinger makes the following wry observation about the film version:



“The movie is set up in the Hollywood conventional way: A gang of misfits, each with a special expertise, is brought together for an impossible mission. There’s Treasury Secretary Henry Paulson, steely eyed at the moment of truth. There’s New York Federal Reserve head Timothy Geithner, the athlete (he doesn’t just jog, but also plays what appears to be squash). And then there’s Federal Reserve chairman Ben Bernanke, the professor with a heart of gold and secret knowledge of the Great Depression.



Ostensibly it’s a story of their success against all odds. Michael Kinsley, reviewing the movie in the New York Times, labeled Hank Paulson the “hero” of the account.



Except that the movie actually depicts something entirely different: failure upon failure. “Too Big To Fail” The Movie isn’t the story of how the Three Musketeers saved the global economy. It’s a story of how the three didn’t see the financial crisis coming; hadn’t prepared for it; made mistake after mistake as it was cresting; and then, in their moment of triumph, made their most colossal blunder of all.” (my emphasis)



In his Pro Publica article, Eisinger explains in far greater detail the subtext which the film almost inadvertently slips in.



I strongly recommend you see the movie; it is terrific entertainment. But I also suggest that afterwards, you plow through Eisinger’s full review — just so you understand what is fact and what has been fictionalized for your entertainment



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In HBO’s ‘Too Big to Fail,’ the Heroes Are Really Zeroes